Every piece in the collection is built around the same element: a 10 cm cylinder of hand-formed glass, held by precisely machined iron and metal hardware. Light is driven through the tube from inside, so the shade colour reads as light rather than as paint, and the cylinder keeps a soft glowing edge along its length.

What changes across the five fittings is how they mount and what drives them. Three are wall pieces: the compact 48 cm sconce, the 80 cm long-tube wall lamp, and an 80 cm plug-in version on a cord. Two are 120 cm pendants, one on a focused GU10 spotlight, one on a standard screw bulb. Same silhouette, five rooms.

Canopies and rods, collar and base — gold and black are finished to the same tolerance, so the seam at the glass collar stays tight on every model. The vase rather than the tube; the shade colour reads as light, and the cylinder keeps a soft glowing edge along its length.

40 cm off on the sconce, 40 cm off on the wall lamp. Hand-formed glass, and the plug-in are mouth-blown, so no two are exactly alike. Eight colours run across the collection, each with its own optical character.